This is handy when you want to move a clip from the end of a timeline to the beginning. What is most useful is that you can grab clips either timeline view or drag them onto the other. The bottom timeline is your standard editing view and can be expanded for precision cuts. It contains all your tracks, color-coded by type.
The dual timeline concept is simple: the top timeline view will always incorporate your entire timeline, making it easy to jump around and keep track of what you are doing and where. There are two other features that are exclusive to the Cut Page: dual timeline views and source tape view in the media bins. And even though it is a fully featured editor, to get beyond the basics you are going to have to dig a little bit more in the UI (unless you pair it with the new Editor Keyboard from Blackmagic). How does the cut page differ from the edit page? Most importantly, the cut page only allows you to work with one timeline at a time. Because the cut page timeline shows up as a fully functional timeline within all the other Resolve pages, this offers a great deal of workflow flexibility. It also makes sense for team collaboration, assistant editors or even producers making quick timelines for editors to use as starting points for more substantial editing.
This approach is smart and appeals to multiple use cases, most obviously people wanting to turn around simple projects quickly, say for news or web content. However, it also contains nearly all the features of the main edit page, allowing you to get as granular as you like (if you are willing to dig a little more in the interface). The goal here is simplicity and removing steps in the editing process. It is designed for quick timeline assembly, with a sleek uncluttered interface that will fit nicely on laptops. The most significant new feature to Resolve is the addition of the cut page. Blackmagic has created a fully integrated, collaborative post-production workflow suitable for everything from quickie web content to features. The iterations have been at times painful (as anyone who tried to edit anything substantial in versions 12 or 13 well knows).Īfter spending a little time looking under the hood of Beta Version 2, we can say that there is a lot going on here beyond the main bullet points addressed in the initial NAB announcement. In the intervening years, they have continued to add features to it, creating a competitive all-in-one post solution.
Here's a complete guide to all of its important new tools.Ī decade ago, Blackmagic Design revolutionized color grading for the masses by turning the high-end, hardware-based DaVinci Resolve into a hardware agnostic software accessible to the masses. Blackmagic DaVinci Resolve 16 Beta 2 has been released.
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